Oh I hear you Terry, and understand poifectly well. I guess what I am saying is that I am quite happy to pass such jobs over to others who get more enjoyment out of working on them. And I am tickled pink to be in a position where I can do just that. I get little or no reward anymore out of working on instruments that are of such quality that a 600 dollar investment for new hammers is not justified. To me... that kind of a piano is something I am glad to avoid. Dont get me wrong... thats not really meant as a put down for techs who work on them, or on the piano itslef... its just that I dont enjoy working on them, and so I dont (as long as fortune continues to smile on me). I think most of us get to a point in our careers where we have worked up a fairly good quality level clientell, and I also think most of us are glad to get to that point. And... I ALSO think that YOU will no doubt reach that same crossroads before too many years go by. I gots lots of faith in you :) Funny thing is... after getting up their in years ... past where I am now... into retirement and beyond... seems like a lot of techs tend to find a renewed appreciation for the little old lady and her Wurly down the road. Must be some kinda twist on nostalgia or something. Cheers RicB Farrell wrote: > > True, but in this case the piano was otherwise in good condition and was > meeting their needs and the hammer felt was pretty much all there (no deep > grooves, etc.). I took the action out and did the gluing in my shop. I > charged them $200 and they got their piano back in ...... well, whatever > working order it was in before the hammer felt let go. IMHO, the piano, > being that it was otherwise meeting their needs, was worth a $200 repair. > For this piano, I couldn't have recommended sinking $600+ into a set of > hammers. > > Just like the 1960s Wurly console I posted about yesterday. I told the lady > that it was probably going to be worth the repair, but if she had ANY > thoughts about upgrading to a better piano, now would be a golden > opportunity to cut the losses with the Wurly and put the $$ toward a better > piano. > > And if you have the luxury to exclude this type of work from your business, > hey, the more power to ya! I'm jealous! > > Terry Farrell > >
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