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When you're starting out you always have time for these old=
pianos. I remember dealing with swollen key leads on a English=
Birdcage...
At this time in my career I don't give a damn about educating a=
bad customer. I now know when to cut my losses...
David I.
----- Original message ---------------------------------------->
From: Michael or Margaret Kurta <mkurta@adelphia.net>
To: Rob Goodale <rrg@unlv.nevada.edu>, Pianotech=
<pianotech@ptg.org>
Received: Sat, 10 Jul 2004 06:32:16 -0400
Subject: Re: Piano from Hell
Rob:
Sounds like not only was the piano from hell, but so was the=
customer. I hate unreasonable piano owners. However, if I have=
the time, I'll take one on. By that I mean I look at the owner=
as a challenge to educate and eventually win him/her over to my=
way of thinking. When confronted by a piano from hell, and its=
obvious that it should not be repaired, I make a list, the most=
important and expensive things first. In this case your list=
was very long, but honestly reflected the items needing=
attention.
Then by going down the list WITH the owner, explaining in=
detail item by item what the instrument needs to make it usable,=
and why, the customer will begin to realize (without you telling=
him) that it may be a lost cause. But if you start out your=
analysis by saying "it is a dead piano and there is nothing left=
to fix" you may encounter resistance.
The idea is to let the customer's thinking flow into the=
obvious by gently pointing out the many, many things the piano=
needs to bring it back to good playability. Occasionally I'll=
use a quote from my mentor Frank McKowen, RPT from Lansing, MI=
who said, "You deserve a better piano." This sometimes enables=
the owner see the light.
If all that you say falls on deaf ears, its time to pack up=
your tools and say, "You know Mr. Pianist, I'm not sure I can=
handle this job, its probably best to try another technician." =
Leave him with hope that there may be an answer, and let another=
reinforce your findings. Maybe that will head him in the right=
direction, you've done all you can do.
Mike Kurta
----- Original Message -----
From: Rob Goodale
To: Pianotech
Sent: Friday, July 09, 2004 11:54 AM
Subject: Piano from Hell
I had one of my worst experiences as a piano technician this=
morning. I got a call from a guy who told me his piano needed=
tuning and repair. I agreed to take the job. Upon arriving I=
about fell over.
It turned out to be a 90 year old "Metropolitan" full upright. =
It was the biggest pile of crap I have ever seen outside of a=
land fill. I immediately started in how old the piano was and=
probably not worth fixing but he quickly cut me off and in a=
heavy British accent told me to "please fix it". The "thing"=
had been painted white. He was now in the process of painting=
it gold which he proudly proclaimed was "restoring the finish". =
Chunks of wood were missing out of the case. I opened it to=
find that the action was not even screwed in place, just laying=
in the piano. There was one broken treble string and the bass=
strings were black with corrosion.
There was a crack running under the bass bridge and the apron was=
loose. There were broken bridal straps, broken hammers, and=
several others that had been previously broken and reglued with=
string. most of the hammer return springs were out of place and=
some were missing. One sharp was missing, the key bushings were=
worn out, someone did a poor job at recovering the keys, and the=
pivot pin on the sustain pedal had been sheared off completely=
and the bushing block was shattered.
He continued on about what a "great piano" it was as I looked at=
the sad heap. I calmly explained that there was simply nothing=
left to fix, the piano was dead and what he needed was a new=
piano. He came back with "You Yanks, your all alike. You throw=
anything away. In England we would never throw out a fine=
instrument like this!" Then he bragged about how he KNEW what=
he was talking about because HE was a pianist! (Oh golly silly=
me, I should have worshipped his feet on the spot!) Then he=
proudly announced that he bought it from an auction so it MUST=
be a good piano! (Now there's reasoning for you).
I continued to explain that I was trying to save him money, that=
it would cost him far more to repair than to replace it. He=
demanded to know how much. I explained that it would cost=
hundreds just to make it produce sound again and even then it=
would be nothing but trouble. "Oh no I don't want to do all=
that, I just want it REPAIRED, you know, so that it works"! =
(Excuse me didn't I just say that? Do we need subtitles for=
this conversation?" I then explained that what the piano really=
needed was a complete restoration and that would cost at least=
$10,000.00. "I'm trying to save you money, this piano is NOT=
worth it, you really should consider buying another piano". He=
again reminded me that he was a pianist and that he knew this=
piano was worth it and that it really didn't need that much=
work. Finally I just told him flat out that I couldn't help him=
and that I really didn't have the time to spend three days=
working on it. His disposition continued to get worse as I made=
a hasty exit.
Shame on me... after all this guy was a "pianist" and got it from=
an auction so he MUST know what he's talking about!
Rob Goodale, RPT
Las Vegas, NV
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