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Hi, David,
The question in the back of my mind is, how to deal with the problem not =
the symptom, if we can. We blame the hammer mostly because we can change =
it, where it might be that it is a design problem of where the ribs, =
bridge, string, level, agraff, rim, placement in the room or whatever =
that is the underlying reason for the need to alter the sound.=20
Joe Goss
imatunr@srvinet.com
www.mothergoosetools.com
----- Original Message -----=20
From: Erwinspiano@aol.com=20
To: pianotech@ptg.org=20
Sent: Thursday, May 06, 2004 8:25 AM
Subject: Re: Speaking of hammers..
In a message dated 5/6/2004 6:44:18 AM Pacific Standard Time, =
phil@philbondi.com writes:
This Wurlitzer model, in general, has a reputation of being =
bright..not=20
this piano. It was beautiful.
Any ideas who the hammer maker might be?
Thanks,
Phil Bondi(Fl)
Phil
The Hammer maker got lucky that day? grin
Dale
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