Ed, That's an interesting perspective. Unless there are some really screaming unisons, it's usually the voicing that slaps me across the face. But, that's just the kind of girl I am. :-) Barbara Richmond ----- Original Message ----- From: <A440A@aol.com> To: <pianotech@ptg.org> Sent: Friday, May 07, 2004 7:44 AM Subject: Out of tune(probably an argument, here) > Greetings, > Chuck writes: > << it also makes us acutely > aware when "a piano isn't doing what it oughta". I hear a lot of the latter > on some old jazz recordings especially. Baffling how some of these kings of > piano artistry and creativity had to suffer this misfortune. Wonder if > there's any way to digitally clean up the tuning on old recordings... >> > > Maybe, but there will be a change in the message. To some, it will be > an improvement, ( to many, nothing would be noticed, either way), to others, > a loss,. What that loss means depends on the listener, ("meaning" is a > product of a message being received, it is NOT a unique property of the message, > itself). > It borders on conundrum-ness for a tech to be promoting anything other > than "in tune", but exactly what is "in tune". Certainly not an equally > tampered scale! There, almost everything is out of tune, and through the trick of > making it all the same, we learn to not listen to the dissonance, (for the > simple price of foregoing hearing consonance). Is this same fixation on exactitude > good for other aspects of music? \snip > > > > Ed Foote RPT > http://www.uk-piano.org/edfoote/index.html > www.uk-piano.org/edfoote/well_tempered_piano.html > > _______________________________________________ > pianotech list info: https://www.moypiano.com/resources/#archives >
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