Ed,
That's an interesting perspective. Unless there are some really screaming
unisons, it's usually the voicing that slaps me across the face. But,
that's just the kind of girl I am. :-)
Barbara Richmond
----- Original Message -----
From: <A440A@aol.com>
To: <pianotech@ptg.org>
Sent: Friday, May 07, 2004 7:44 AM
Subject: Out of tune(probably an argument, here)
> Greetings,
> Chuck writes:
> << it also makes us acutely
> aware when "a piano isn't doing what it oughta". I hear a lot of the
latter
> on some old jazz recordings especially. Baffling how some of these kings
of
> piano artistry and creativity had to suffer this misfortune. Wonder if
> there's any way to digitally clean up the tuning on old recordings... >>
>
> Maybe, but there will be a change in the message. To some, it will
be
> an improvement, ( to many, nothing would be noticed, either way), to
others,
> a loss,. What that loss means depends on the listener, ("meaning" is a
> product of a message being received, it is NOT a unique property of the
message,
> itself).
> It borders on conundrum-ness for a tech to be promoting anything other
> than "in tune", but exactly what is "in tune". Certainly not an equally
> tampered scale! There, almost everything is out of tune, and through the
trick of
> making it all the same, we learn to not listen to the dissonance, (for the
> simple price of foregoing hearing consonance). Is this same fixation on
exactitude
> good for other aspects of music?
\snip
>
>
>
> Ed Foote RPT
> http://www.uk-piano.org/edfoote/index.html
> www.uk-piano.org/edfoote/well_tempered_piano.html
>
> _______________________________________________
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>
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