This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Bernhard, I did not mean to discredit you by referring to the tuning as = "the Brekne Perfect 12th tuning" I have no problem referring to this = simply as the Perfect 12th Tuning.=20 I'm not concerned right now in the "new musical system" aspect of your = intellectual property. There are powerful "public domain" reasons for = the perfect 12th tuning. It's a very logical way to deal with = inharmonicity, for example. And in practice it appears that the bass = cannot be tuned in perfect 3:1 twelfths, but some compromise needs to be = made, and that is what we are trying to determine using TuneLab as a = tool. I would think the Stopper Perfect 12th Tuning would insist on pure = 3:1 matches right down to A0. Does your system address the peculiarities = of inharmonicity in the piano? > I've worked out the method of tuning the Brekne Perfect 12th tuning=20 Jason, I published the perfect 12th tuning in euro piano 3/1988 as "Stopper = tuning - equal temperament on the base of pure dudecimos".=20 The base for this tuning is a 12 pure 12th circle closing with 19 = Octaves plus pythagorean comma what itself describes a new musical = system. I did not found any earlier publications relating to this = tuning/musical system. BTW it may also be said that the pure fifth tuning was invented by the = french Serge Cordier and not by Mr. Coleman as often stated here and on = many internet sources. regards, Bernhard Stopper ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/48/dc/9a/ab/attachment.htm ---------------------- multipart/alternative attachment--
This PTG archive page provided courtesy of Moy Piano Service, LLC