Well, if it's not Gertz's invention, why do so many (
all? ) old M&H's still sound like rolling thunder when
the board is riddled with cracks and the whole thing
is a dilapidated mess?
Thump
--- Phillip Ford <fordpiano@earthlink.net> wrote:
> >All,
> >
> >Back in 1900, if the patents-office examiner had
> been paying attention,
> >Richard Gertz never would have got his patent. The
> sound board of a real
> >world piano does not push outward as downbearing is
> applied. While the
> >sound board shown in the piano diagram at Mason and
> Hamlin's website
> >(http://www.masonhamlin.com/crown/crown.html) might
> push outwards, real
> >pianos do not have the sound board ribs offset
> higher than the cord-line
> >as shown in their image (a jpeg conversion of the
> M&H website image is
> >shown below).
>
> Ron,
>
> Would you explain what you mean by the cord line?
>
> >...
> >So yes, a substantial back beam configuration is a
> good thing, but the
> >Richard Gertz 'crown retention system' will be of
> virtually zero assistance.
> >
> >Ron O.
>
> Unless it works in both directions, in which case
> it's essentially doing
> the same job as the back beams. It's not clear that
> it does from the
> diagrams on the M-H site (which diagrams are hard to
> read, BTW, since they
> chose to use red lettering on a black background).
> I don't know if those
> long bolts are a press fit in the holes in the rim
> or not. There certainly
> seems to be a gap between the bolt head and the
> outer rim which would seem
> at first glance to allow the bolt to move outward,
> offering no resistance
> to the inward movement of the rim. On older M-H
> pianos the rods were
> attached to tapered plugs in the inner rim which
> were captive by the outer
> rim. You can see drawings of this on the patent,
> No. 783,781. I believe
> that this assembly would form quite a rigid frame.
> Those rods may look
> insubstantial next to the large softwood beams
> beneath them, but because
> they are steel, each of them provides the stiffness
> of a large softwood
> beam. Assuming a 20 mm diameter rod and a modulus
> for softwood of 10 GPa
> and steel of 200 GPa, then each rod is equivalent to
> a softwood beam of 63 cm^2.
> Bump the rod up to 25 mm and it's equivalent to a
> softwood beam of
> 98 cm^2 (15.2 in^2 - roughly a 2.5 in. x 6 in.
> beam), which I would
> consider a fairly massive beam. It's my feeling
> that if this device were
> properly designed, then the wooden frame members
> would be superfluous. A
> property of the steel is that it is consistent in
> strength and stiffness,
> which is not the case with the softwood (for those
> that value consistency
> from piano to piano). A downside may be that this
> type of frame would be
> more expensive and heavier than the softwood frame,
> but I wouldn't think
> significantly so. Also, the centerline or line of
> action of the 'spider'
> could be closer to the centerline of the soundboard,
> since the spider needs
> less physical space. On the other hand, because it
> has less vertical
> depth, it's probably not very good at resisting
> twisting of the rim, the
> way a 15 cm deep beam would be.
>
> Looking at the M-H page that you mentioned I also
> noticed a couple of other
> things that I hadn't noticed before. They're
> expecting not only the rim to
> act against the soundboard panel to resist board
> flattening, but the rim
> acting on the end grain of the ribs to resist
> flattening of the
> board. They also make a point of mentioning that
> the grain of the ribs is
> perpendicular to the grain of the rim. I'm not sure
> why they think that's
> important, and I'm not sure how that can be the case
> unless the ribs were
> at 90 degrees to the rim at the points where they
> intersect the rim, which
> is almost never the case. They also seem to think
> that white spruce is
> stronger than Sitka spruce.
>
> Phil Ford
>
>
>
>
> Phillip Ford
> Piano Service and Restoration
> San Francisco, CA
> _______________________________________________
> pianotech list info:
> https://www.moypiano.com/resources/#archives
>
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