Might be Ash. Looks a lot like Oak, but is more
uniform. I've usually seen ash in piano construction.
Thump
--- "Paul Chick (Earthlink)" <tune4@earthlink.net>
wrote:
>
> Subject: Re: Cracked Lid
>
>
> In a message dated 10/28/2004 4:47:40 AM Pacific
> Standard Time,
> pianoman@accessus.net writes:
> Jim
> I'm currently working o 20s D lid that has one
> hairline crack along a
> tongue & groove joint on the tail. This lid is very
> wash boardy & we've
> sanded it cross grain a fair bit to level it out.
> I'll repair the crack. As
> far as stress on long panels I don't agree, as most
> have multiple cross
> braces & also the lids of concert grand's & other
> with longer lids are more
> likely to be closed than open. Know what I mean?
> Also a hairline crack though not visible
> initially will show up right
> thru the finish, usually about the time you want to
> deliver it.
> Dale Erwin
> On long grands where the lid has been kept
> mostly in the up position you
> can
> imagine the stress, over the years it put on the
> glue joints on the long
> core panels glued together for the lid with only
> support on one end and
> the
> other just kind of hanging out there. It is a
> wonder that we do not
> seem
> more of this in anything over 6'. I do not know
> if they used any
> special
> types of joint between the boards or if they
> were all just edge glued.
> Any
> one tore one apart to see.?
> Jim
> Dale
>
> Good thoughts.
> I think the problem with this particular lid (the
> Steinway I've mentioned)
> is the lack of cross banding. I' ve seen this
> omition before when I did a
> lot of furniture repair in another life. Also, the
> oak core tends to move
> more, ends being the worst.
>
> Paul C
>
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