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I wouldn't recommend using a drill.
I use a bit holding attachment that fits into a power screwdriver/screwdriver, and just turn by hand.
A drill is hard to control, and ends up being too aggressive.
That is my take.
Others may have a method that they find works better.
I would like to hear of any suggestions, regarding the use of the fluted reamers, for use on pinblocks.
John M. Ross
Windsor, Nova Scotia, Canada
jrpiano@win.eastlink.ca
----- Original Message -----
From: Pierre Gevaert
To: Pianotech
Sent: Thursday, August 25, 2005 1:00 PM
Subject: Re: To Ream or Not to Ream?
Hi,
Thanks for the reply concerning the fluted reamers.
Concerning these reamers do some of you have some experience to share? I was wondering what kind of drill should be used and what would be a good feed-rate.
Thanks,
Pierre
----- Original Message -----
From: John Ross
To: Pianotech
Sent: Wednesday, August 24, 2005 9:07 PM
Subject: Re: To Ream or Not to Ream?
I got my fluted reamers from Pianotek. They have six sizes from .266" to.295", they are 6" long and the flute is 1 1/2".
I do find them better, but you have to take it slow.
John M. Ross
Windsor, Nova Scotia, Canada
jrpiano@win.eastlink.ca
----- Original Message -----
From: Pierre Gevaert
To: Pianotech
Sent: Wednesday, August 24, 2005 2:02 PM
Subject: Re: To Ream or Not to Ream?
Hi,
And what about those fluted reamers mentionned in the Reblitz? I've tried to find these for a long time now but without succes. As I never heared anyone else speaking about these I suppose it's not that good to use?
Pierre Gevaert
Belgium
----- Original Message -----
From: John Ross
To: pianotech
Sent: Tuesday, August 23, 2005 9:24 PM
Subject: To Ream or Not to Ream?
I normally used to ream, before repining.
However on this latest piano, the pins were tight on removal. Sorry, I forgot to take a torque measurement.
I normally just go up one size, unless they are really loose.
I am tempted to just go up the one size, and not ream. I do use pin driving fluid.
I would like to be reminded of the pros, and cons of each procedure.
It is a good quality upright, a Heintzman, with what they call an Agraffe Bridge, patented in 1895. It is the one with the three holes drilled through the plate, aligning the strings.
It had no 1/2 sizes of strings. I am adding a few that seem to improve the inharmonicity, according to PSCALE.
John M. Ross
Windsor, Nova Scotia, Canada
jrpiano@win.eastlink.ca
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