This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Yes these systems really work and it may require a rethinking of how we market the need for tuning. 3 to 7 cents sharp in the middle means that the piano won't sound awful and may not even be really noticeable to the customer but it will definitely make it sound a little ripe. The customer may not be able to identify the sound as being out of tune because the onset is so gradual. But it certainly won't be performing at its optimum. In such situation I relay to the customer that oftentimes people tell me that they find themselves playing the piano more right after it gets tuned. This is because the piano sounds so great! They are getting more enjoyment out of their playing and they will play it more. As it gradually starts drifting it won't really sound out of tune but they won't get as much enjoyment and may find themselves playing it less. The question is when did the piano get to be 3 to 7 cents sharp? I suspect it wasn't just the week before you got there. It was probably +/- 2 to 3 at 4 months and +/- 3 to 7 at 9 months. That means for most of the year that she has waited to get her piano tuned it has been out of tune, it has not been optimum. It may have sounded "okay" but she has been cheating herself out of what her piano is capable of. The answer to the question of "how often should I get it tuned?" is how badly do you want it to go out before you get it retuned? Most of us could return to one of our tunings a week or two later and do some tweaking. The piano starts to go out as soon as we are done tuning. The goal of a regular tuning schedule is to keep the piano IN TUNE and not to let it get OUT OF TUNE. Alan's customer is a classical pianist. She needs her piano to be in tune every time she sits down to play. For it to be out 7 cents is way too much for such a pianist, even though it may sound "okay." Does she want her ears to become accustomed to the sound of an out of tune piano? Because that is what she is training them to accept by allowing her piano to go out that much. Dean Dean May cell 812.239.3359 PianoRebuilders.com 812.235.5272 Terre Haute IN 47802 -----Original Message----- From: pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] On Behalf Of Alan Barnard Sent: Wednesday, July 13, 2005 10:43 PM To: Pianotech Subject: RE: room climate control Piano: 1903 Steinway S, nice home, older lady, excellent classical pianist, A/C seldom used even though we have tropical, steamy summers. Installed a full DC about 14 months ago, tuned it two months later. No undercover, for reasons too complicated to explain. Story: Called for 6 month tuning, she said it "sounded okay" and she'd like to wait 'til it's been a year (We've heard THAT before, haven't we?). Tuned the piano this morning (12 months). The center notes were about 3 to 7 cents sharp (the remains of Hurricane What'sitsname just dumped two days of rain on us), the bass was ON, the treble was CLOSE, the high treble was ON. I did very little actual pin turning to tune that piano. Result: She said: "Isn't that great. I can just tune it once a year!" Hmmm .... happy customer, annual tuning fees cut in half for her-and for me, dang it. I've got her half talked into a full reg/voicing job which the piano desperately needs, so that'll help make up for it. Moral: Once again, I have seen and heard results that make me a staunch, avid, perhaps rabid believer in DC systems. As long as they are kept plugged in and maintained (a big IF in many cases...) they really, really work. Alan Barnard Salem, Missouri ----- Original Message ----- From: Piano Forte Supply <mailto:pianoforte@pianofortesupply.com> To: pianotech@ptg.org Sent: 07/13/2005 4:59:41 PM Subject: room climate control I have a client with a 7' Kawai grand in a basement studio. The Relative Humidity is always on the high side (60%). I urged him to monitor the humidity with an electronic hygrometer and to get a dehumidifier. He did this, however the controller on the dehumidifier in very inaccurate. With the controller set at 40%, it cut out when the humidity is still above 60%. The manufacturer told him they are all not precise. He has searched for higher end units, but even the manufacturers of these do not guarantee the precision of their controllers. I would prefer to control the environment in the studio because it "should" be a straight forward thing to do. I feel a Piano Life Saver System will simply always be fighting the higher humidity in the room. I have thought of using a Piano Life Saver humidistat to control a simple room de-humidifier. Would this work? Would he need a re! lay between the humidistat and the de-humidifier? Any thoughts, and especially experiences, welcome. Jurgen Goering www.pianofortesupply.com ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/c3/01/49/48/attachment.htm ---------------------- multipart/alternative attachment--
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