At least this way notes of a similar pitch (on different bridges) connect to the soundboard fairly close to each other, unlike that strange spinet of Terry's, or even a typical grand, where the lowest tenor is near the lowest bass. --Cy-- ----- Original Message ----- From: "Stéphane Collin" <collin.s@skynet.be> To: "Pianotech" <pianotech@ptg.org> Sent: Saturday, July 16, 2005 5:46 AM Subject: Re: Piano Design Question Hello Del, Stephen, list. This thread makes me remember an old Blüthner that I ran across, years ago. It had some crossed strings, but not at all in the way we are used to see : the few (4 or 5) highest bass unissons were hardly crossing over the few (4 or 5) lowest tenor ones. Today no more than then can I understand the purpose of this arrangement. Best regards. Stéphane Collin.
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