---------------------- multipart/alternative attachment Terry and all, >I just booked a first-time tuning for a Bluthner=20 >grand (first time for me to tune it). It is said=20 >to be about 55 years old. Is this piano likely=20 >to have the 4th string aliquot system up in the=20 >high treble? If so, is there any special tuning=20 >techniques for it? I've never tuned one of=20 >these. Just pluck it and tune it beatless with=20 >the other three strings of each note? > >Terry Farrell I have tuned numerous aliquot Bl=FCthners=20 (Australia was the second biggest export market=20 for German pianos, after the UK, from 1880 to=20 1914). They also made models without the aliquots=20 for the domestic market. I use a felt wedge,=20 placing it between the centre and right unisons,=20 with it leaning over to the right so that it also=20 wedges off the aliquot length. As you suggest,=20 plucking the aliquots is the go, in order of=20 proceedings after the unisons are sorted (the=20 aliquots are mostly false - I'm not a big fan of=20 these). You'll find Bl=FCthners to be very interesting=20 pianos from a design perspective. The earlier=20 versions had a large and curved bass side corner=20 cut-off (the most common models are the 5'6" and=20 the 6'2"). The sound board was compression=20 crowned and clearly under-engineered for=20 durability. The rib heights are rather shallower=20 in relation to their width. These boards almost=20 always collapse right along the line of the long=20 bridge. The bridge layout and scaling isn't up=20 there with contemporary thinking, but there is a=20 range of other worthwhile design ideas in these=20 instruments. In recent years we had a very early Bl=FCthner=20 (from around 1860) come in for transit damage=20 repairs. The workmanship was very ordinary on=20 this example. This was to me most surprising=20 since they were being very-well made by around=20 1885. When I was a student at high school (during the=20 early 70's), the local returned-soldiers club in=20 the town (now city) of Griffith had a Bl=FCthner=20 concert grand from around 1880. This fascinating=20 instrument had an 85 note compass with an overall=20 length of 10'4.75". The sound board was like a=20 venetian blind, with daylight showing through=20 cracks everywhere. During the rebuilding phase of=20 my career, I harboured a desire to acquire the=20 Bl=FCthner some day and rebuild it. But alas, the=20 club had a major fire and the piano was=20 incinerated. Take your trouble light Terry. You'll find=20 Bl=FCthners very interesting, with a dark tone that=20 is quite unique. For the less experienced fork=20 bashers, these instruments provide a challenge=20 when setting the temperament. The fullness of=20 tone can lead you to make the fifths and fourths=20 too pure. Ron O. -- OVERS PIANOS - SYDNEY Grand Piano Manufacturers _______________________ Web http://overspianos.com.au mailto:ron@overspianos.com.au _______________________ ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/6f/ea/ba/39/attachment.htm ---------------------- multipart/alternative attachment--
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