Hi Jon, Did the rebuild include a new soundboard or did it retain the original? Have you examined soundboard crown between all accessable ribs? Examined downbearding? And what might TLRG be? Terry Farrell >I have been struggling with a rebuilt A which has been lackluster at best > and a textbook example of the killer octave+. > > Much to my relief, as I was installing these punchings I could discern > an improvement in the tone, it became more focused; more noticeably > in the problem areas. (I know that I'm not going crazy because > I've already crossed that threshold). Of course it didn't eliminate the > problems but certainly made them less bad, tolerable, imperceptible > to some. At least now they don't jump out at you and do that little > Nah-Nah-You-Can't-Touch-Me dance. > > The keystroke termination is solid without being hard. There is less > rocking > of the key at dip now than with those dark green punchings. Will Crescendo > Punchings require 'voicing' to keep from getting rock-hard? An occasional > flexing to loosen the impacted fibers? (Hmmm, not a bad idea for > rock-hard > woven punchings). > > Just as soon as I get my ration card <g>, I can order more and start in on > all the > performance pianos in my charge. Mostly to get a handle on after touch > through > the dynamic range with the benefit of improved tonal output and vise > versa. > > Andre, I give these an AA++ rating. > The greatest thing to come along since the TLRG. <G> > -- > > Regards, > > Jon Page
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