This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Kudos to y'all. When I made that comment, I didn't think it would get = the positive response that it has.<G> So far, I see that most of y'all = are trying to get the tone that was so common in the 40's & 50's! Yahoo! = I now know I'm not alone in this endeavor. My feeling is that most = people, associated with music, get used to what they are subjected to, = on a regular basis. And, this seems to "set" their perception of tone in = the piano. I sad thing, IMO, is that most academic environs, have = horrible "tin can" type pianos in their practice rooms, etc. and are = really trashing our young musicians tonal perception. Granted, for most modern music, of the "pop" venue, somewhat brighter is = called for, IMO. However, the real problem lies in the perception that = Bright translates into "projection", which just ain't true. (Kinda like = an electric guitar player cranking up the volume to be heard and all = that accomplishes is distortion, IMO. Oh well, at least there are those = of us that strive for balance/tone/harmony. Best Regards, Joe Garrett, R.P.T. Captain, Tool Police Squares R I ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/6d/be/ec/19/attachment.htm ---------------------- multipart/alternative attachment--
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