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Hello Jonathan
First - how much time have you got? There's a lot of information out =
there about "temperaments". This type of tuning is used mainly on =
historic type instruments: real square pianos (circa late 1700s) =
Harpsichords and Fortepianos. The temperament we use at Glyndebourne is =
Vallotti. In fact I have to tune a Kawai grand to this temperament to =
use with a Harpsichord in rehearsal for Bill Christie. The variation =
from equal temperament is as follows:
a:0 a#:+6.0 b:+2.0 c:+6.0 c#:0.0 d:+2.0 d#:+4.0 e:-2.0 f:+8.0 =
f#:-2:0 g:+4.0 g#:+2.0
The "wildest" off pitch temperament is "Werkmeister-III" where:
a:0 a#:+17.5 b:-7.0 c:+10.5 c#:-13.5 d:+2.5 d#:+20.5 e:-3.5 =
f:+13.5 f#:-10.0 g:+7.0 g#:-17.0
Lambert(1774) is closest to equal temp.
I shall stop there and put on my flame suit for daring to suggest =
anything so OT as "temperaments"
Regards from darkest Sussex
Michael G.(UK)
----- Original Message -----=20
From: jonathan stuchell=20
To: Michael Gamble=20
Sent: Tuesday, March 08, 2005 4:48 PM
Subject: historical temperament
Hello,
I want to start using historical temperaments. How do I go =
about this? I use a Peterson virtual strobe tuner which has settings =
for Young,
Werkmeister, Kirnberger, Pythagorean, Kellner etc. I would like to =
use one from J.S. Bach's time. Information seems hard to find. Im very =
interested, because I favor the Baroque period. Also, Baroque =
instruments are becoming popular. Hope you can give me some advice! =20
=20
Thanks,
Jonathan Stuchell =20
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