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Dale,
Nice report! Thanks for the update. AAs are near and dear to my
heart--being an owner of one built in 1919 and completely redone in 2000.
Great pianos!
Dave Stahl
In a message dated 5/5/05 8:33:42 PM Pacific Daylight Time,
Erwinspiano@aol.com writes:
Hi all
A whiel back I wrote about sound board design changes I made to a 1920's
Mason AA & said I'd report back as to my impressions. The separate transition
bridge went from 2 bichords & 7 tris to a short repositioned bridge connected
to the main bridge body with 9 bichords. It got a cutoff bar that
shortened some very long ribs to no more than 36 inches and also I added a treble
fish. My first
It went out two weeks ago. The the piano sounds really good . The bass is
big ,solid, plenty of boom but focused. The transition bridge at the bass is
virtually seamless as is the plain wire break. This was a home run no
question. Truly a pleasurable blending of registers. Tenor is sonorous and open. I
had to work with the strike lines twice in the top two octaves & the hammers
wanted to be harder than I thought but not overly so. It wasn't speaking all
that well until the hammers picked up enough stiffness all over from the
lacquer & a few drops of keytop on the strike. Then the treble sustain got
quite excellent & clear & projects nicely. Maybe a tiny bit stingy but one of
the best Mason AA I've heard so far that I really liked. I'm being really
objectively critical you know & and the same time am very pleased.
The impression of the whole piano is that it's bigger than it's physical
size portends. Very Musical warm dynamics & sound slike a concert grand. All
in All the whole redesign was a pleasant success
If I had to do over I'd have thinned the board a bit more in the top end.
It went to San Luis O. in a beautiful hillside dwelling. Beautiful polished
mahogany Customer is thrilled. Said it was the best money he'd ever spent
on anything. WOW
Dale
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