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Dale,
Speaking of time. Early in my career (probably about 20 years ago) I =
was offered a short-time position at a prestigious summer music camp in =
the Midwest. I was flattered that I had been recommended, but horrified =
at the pay--a $100 per week cash stipend and room & board for tuning 35 =
(count 'em) pianos a week--and they weren't in climate controlled =
places. (!) =20
When I told the woman that I couldn't work for so little money, she =
said, "Well, we really feel that part of the compensation is the =
prestige in being able to say you have worked here." "I'm sorry," I =
replied. Of course, what I really wanted to say was prestige wouldn't =
make the car payment, the school loan payment, or cover my rent, but I =
was polite.
Maybe it was a missed opportunity--but it was a chance I couldn't =
afford! (35 pianos a week? Ugh.)
Barbara Richmond, RPT
----- Original Message -----=20
From: Erwinspiano@aol.com=20
To: pianotech@ptg.org=20
Sent: Tuesday, September 13, 2005 8:03 PM
Subject: Re: Concert tuning was: President's message
And that's why we get paid the big bucks, right Barbara? Free =
tickets or no All we have to sell is our time & talents so let's not =
give them away.=20
nobody else does .sheesh!
Dale Erwin
There's no doubt that technicians' abilities vary, but touching up =
the piano=20
between rehearsals and performances is considered quite normal. If =
it's=20
not, why do all these contracts that come through specifically list =
that=20
service? ;-)
Barbara Richmond, RPT
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