I would submit that the "click" we hear when "string-seating" has more to do with rendering speaking length tension past the bridge into the under-tensioned rear duplex than it does with a string being above the bridge. I have found strings above the bridge in a nasty upright, visibly so on one side of a rolled bridge. I have not yet found strings that needed "seating" on a grand. I do piano voicing where I tighten curves leading to and from the bridge a little and I do encounter clicks in neglected pianos where the strings render through the bridge. Andrew Anderson >Probably because the subject has been discussed far past the point >that everyone's thoroughly sick of it. At the end of the last of >what seems like fifty rounds, the string seating crowd swarmed out >into the world en mass yelling KILL KILL with fire in their eyes and >feeler gages in hand to prove that strings spontaneously climb up >bridge pins against all known physics. The avalanche of reports of >rampant bridge pin climbing strings still is yet to manifest, but we >collectively remain ever faithful to the notion. With few exceptions. > >Ron N
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