The cracks I can see on the top make me wonder if there is a structural failure in the pinblock. If this is so, there is probably no cheap fix. In fact, it looks like you are following up on the first cheap fix. I am also wondering if your customer expects you to re-arrange the laws of physics so that he can make the profit he requires. I don't do well with customers like that. Ed Sutton -----Original Message----- >From: John Tonyan <tonyanj at hotmail.com> >Sent: Aug 16, 2006 4:13 PM >To: pianotech at ptg.org >Subject: Vienese pinblock repair > >I was asked to repair an open-faced pinblock on an old Produktiv >Genossenchaft Grand which was restrung and is giving way in the upper >section. The wood is being crushed and the tuning pin holes are elongated >(see attachments). > >The client is selling the piano and wants to invest as little as necessary >to make it a sound, antique instrument. The piano is not local however and I >am concerned about the time and equipment needed to do a satisfactory job. > >My first thought was to epoxy the whole thing and then drill out new holes. >I could conceivably do this without major machinery, but would certainly >require a day for the epoxy to cure. > >I then saw a plugging job, nicely done, but I dont know if it could be >accomplished any faster and it seems that it would demand a portable drill >press with a creative mounting method. > >If I follow the epoxy method, one question is: > How much smaller than the tuning pins should the drill be? > (Will it be different from an all-wood pinblock?) > >If I plug, there are many items: > Plug cutter (source) and size of drill for installation > Drilling pattern > Set-up time for glued plugs > Time > >I cant think of any thing else to add right now. > >Thanks, >John >
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