Ric If you are looking for some kind of numbers I can't help you but if you want my tactile experience. That's another. The assumption that CC boards aren't strong would be incorrect. They are extremely strong due to there non- linear compression rates. meaning as they are compressed they become more resistant to compression by the bearing load. Also Sitka spruce renders them even stronger because of its strength. AS has been said before that drying the panel will create compression as well as the steepness of the soundboard press/dish it is being pressed in. My Colleague Chris Robinson of Connecticut still produces a C. C. Board & as you may know from the Mason & Hamlin on display in the rebuilders gallery, his boards sound really good. You may wish to ask him some general question but other than that he is rightfully proprietary about his methods. I will tell you he uses different radii cauls for different sized boards, if that tells you anything. If you think about this a bit you'll figure it out. If you get an opportunity to restring a C. C. board with a fat crown try pre stressing it & you'll find out in a tactile sense just how stiff they can become very quickly. Also I suspect it is this predictable quality that makes it an easy method for the factories to use. In my experience a C.C. board coming from the usual places will always sound better if I can spot some compression or compression ridges in the panel. Ie. the Yamaha C-7 F I tuned yesterday. I've worked on it 15 years & it's Best one I've heard. It has significant and visible compression in the panel & more than most Yam's Dale Hi folks One thing that keeps bothering me and makes it difficult to resist buying right into the RC & S gangs reasoning is that we never hear anything about how compression reliant boards figure load bearing.. or much of anything else for that matter. I find all kinds of references to how an RC & S board is actually designed... but nearly nothing about how one figures basic things like just how darned strong a CC board is. It struck me the other day that perhaps there isn't really much to begin with, that perhaps this all was started by a more seat of the pants approach. If you dry a panel you can judge its MC fairly accurately by knowing the beginning MC and how much it shrunk after drying ... yes ? So.. reversing that logic if you have a dried panel and inhibit by some mechanism it from expanding and you know how much increase in RH you subject it too... then you know how much compression the panel has taken on. Ribs are a way of inhibiting this expansion yes ? Seems to me then that measuring the amount of crown, knowing the bending strength of the ribs, and the change in RH gives you then enough information to fairly accurately find the strength of the assembly for any given amount of crown. From that point perhaps a few decades of trial and error with regard to problems incurred with various rib placements designs was more significant in terms of <<design>> then any engineering in the usual sense of the word. Ok.. this is pure speculation on my part. But it would REAAAAALLLLY be helpful if someone would do a basic review for the benefit of the whole list as to how one goes about designing (by the book... if there is one) a CC board, or any board that relies very much on compression. It would most certainly make it much easier to see <<the light>> as it were between the various methods of building boards. I've done two board replacements earlier... and got quite a bit of advice as to rib placement / size... etc... and both these were reliant on compression for crown... and no one could really give me any good specific engineering reasoning's for any of their advice. Cheers RicB -------------- next part -------------- An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/20061216/dd7af488/attachment-0001.html
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