Actually... I had a strange experience recently... I heard a Pythagorean tuning on a very small harpsichord type of instrument... the exact name escapes me for the moment... but it fit on your lap comfortably... rather looked sort of like a Zither with keys.... anyways I digress... the point was one played in all keys on this thing... with the 24 cent comma and all... and you really marked no dissonance at all ... regardless of key. 14th century in origion. I listened facsinated for about an hour as the fellow went through a whole series of pieces... and really could not hear anything I would call dissonance at all... Made me think that the whole journey towards ET might have to do with maintaining a lack of dissonance with the developing richness of sound as newer instruments were developed. Just another thought to think... of. :) Cheers RicB Well said. Another uncommonly straightforward and valuable resource, describing the musical and technical issues in layman's terms, is Ross Duffin's new book. _How Equal Temperament Ruined Harmony (and Why You Should Care)_, W W Norton, 2007.
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