JD wrote: >. . . All German eyes, whether double or single will tighten round >the pin and they are often a hell of a job to get off. Not so for all. Read my post. > When I make bass strings with German eyes I also allow for this >closing up of the eye, about 5mm for the single and 10 for the >double. Yes you will if you make the eyes without first bending the wire before winding the coil. I know what you're saying because I have done the experiments at the bench. But you don't seem to be taking in what I'm writing. I conducted eye-experiments back in 2002-3 prior to building our piano no. 5 for the Sydney Conservatorium. This was the first piano in which we used the double-looped eye instead of the twisted eye for the bass strings. I wasn't prepared to use the looped eye unless I could solve the problem of not being able to easily remove the bass strings from their hitch, should they need to be twisted. I worked as a tuner-technician for twenty five years before I started building pianos, and I've done my share of cursing when trying to remove tightened-on-the-hitch-pin looped-eye bass strings, to twist them. >>As you can see this loop [pictured] is centered on the axis of the >>back length wire. This is achieved by first bending the wire with a >>very tight bend (to the right, as you look at the image below), >>before forming the loop/s. In addition to centering the coil, eyes >>formed in this way will not tighten down onto the hitch pin >>(provided that the loop is a relatively close fit to the diameter >>of the hitch pin). > >Well, if it works and serves the intended purpose, well and good. Why do you think I've written these posts to the Pianotech list, just to lead everyone 'up the garden path'? >I have never seen the point of the double turn round the pin Neither did I until I performed a series of experiments at the bench, after all they are more trouble to make. I found that a single looped eye will tighten on the hitch even if the wire is bent before making the coil, while the double looped eye will resist tightening on the hitch. The extra friction of the extra loop seems to reduce the tension on the three coil tie-off and tail (tag), reducing the tendency of the eye to tighten on the hitch. > and if, as you say there is no slip with your eye, then what is the >point of leaving the tag on? It is necessary for the way I build eyes. But I do not wish to argue this topic any further. If you would like to leave the tails off, please do!!!!!! > A single German eye with a single whole coil to finish and with a >tag will no slip. I think it was Irmler who used such an eye. I am not commenting on what Irmler or anyone else has or hasn't done with respect to eye terminations. I'm merely reporting the way we make our eyes, why we do it, and what we perceive to be the benefits of doing it the way we do. I know that what we do works, because I've actually built pianos using eyes made the way I've described, and I've released the tension and removed the strings from the hitch easily by hand. What more can I say? You just don't seem to get the thrust of my posts on this topic. You don't seem to believe that the double looped eyes we make don't tighten down on the hitch pin. Then you go on to write that you've never seen the point of the "double turn round the pin". What is it JD? Do you think folks write to this list in order to spread misinformation? Instead of immediately jumping on the keyboard again, why don't you get out some wire and some pliers and do some experiments to find out for yourself, just what it is I've been writing about? Back when I did the experiments to prove to my satisfaction that this is possible, I actually did do the experiments, and I actually did find that if I made the double looped eye by first bending the wire as I described before forming the loop, that I actually could make an eye which did not tighten on the hitch pin. There will still be a small amount of pull elongation in the eye as the string comes to tension, but I have found that provide the reverse bend is used, the movement will be very small. Ron O. -- OVERS PIANOS - SYDNEY Grand Piano Manufacturers _______________________ Web http://overspianos.com.au mailto:ron at overspianos.com.au _______________________
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