Measured with an electronic device, the plucked string will also measure a
bit flat it seems. Do you charge extra to tune those? I do.
David Love
davidlovepianos@comcast.net
-----Original Message-----
From: pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] On Behalf
Of A440A@aol.com
Sent: Tuesday, January 31, 2006 7:43 PM
To: pianotech@ptg.org
Subject: Re: Bluthner Tuning
Susan writes:
<< Take out the last mute, and see what happens to the
unison and its timbre, when played normally. Often it starts to sound
crummy. Pluck the fourth string to be sure it isn't out in left field, and
then move it a very short distance up and down, until the unison rings
sweetly again. The timbre of the unison
determines where the fourth string is tuned, not its exact pitch, but it
should be close to the others. <<
Greetings,
I have found that the Bluther's extra string gives me the best results
when it is tuned just slightly flatter than the unison. I think it is
because
of the phase interaction, operating through the Weinreich-described coupling
at the bridge, produces more sustain.
When the frequency of the impelling force (the unison) is lower than
the
resonant period of the structure upon which it is acting, (the fourth
string), the two will always be in phase. If the impelling frequency is
higher, the
two will be out of phase. It is this out of phase arrangement that augments
sustain.
Think of pushing a swing; if the swing takes 5 seconds to go out and
return, and you give it a push every 5.1 seconds, you will always be helping
it
go away from you. If you push it ever 4.9 seconds, you will be resisting it
every cycle. By creating this micro-resistance between the unison and the
sympathetic fourth string, I believe that it takes longer for the unison's
energy
to pass through the bridge, thus more sustain.
If I tune the fourth string higher, the tone seems to be more brilliant
or louder, but of shorter duration.
Just a thought,
Regards,
Ed Foote
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