Very interesting. Pretty "on" for the most part. I'd like him to come play the Sauter 275, and the Steingraeber 205 though. What's difficult with comparisons like this, is that it generalizes things a bit too much. Companies like Audi (owned by Volkswagen) and BMW build cars in many different places, and to different quality levels - just like pianos. You can't fairly say that Audi is at one quality level. Which Audi are we talking about, the A4 1.8T? The TT? The S4? The Mythical S8? Which Volkswagen are we talking about when we compare it to the Petrof? A Volkswagen built in Mexico? Brazil? Wolfsburg? The Golf, the Passat, the Pheoton? Without becoming too impassioned about car-talk .... It's clear that we can't simply say piano-a compares to car-a and piano-b compares to car-b. Like cars, many pianos have lower quality brethren built to different standards in different countries, which make use of their higher quality counterpart's name. Steinway for example markets two other pianos built in two different countries - at two very different quality levels - and has salespeople saying that they're all related under the Steinway name. Young Chang builds both in Korea, and in China - so it's not fair to say that a Young Chang is at one standard quality level. The same goes for Yamaha, Kawai, Samick, etc. And NONE of this takes into account dealer preparation! This is what makes a piano! Regardless of build quality, most pianos are coming out of the box at a fraction of their potential. To take any piano to its full potential takes time, and expertise, and the technician's ability to do this is what makes a well built piano a high performance piano. I like the comparison between Grotrian and Aston Martin though - even though it's hard for a self respecting German to compare a Grotrian to a British car. Jonathan Finger RPT
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