Dear Everyone, I am restoring a 1923 Steinway "M". I am thinking about impregnating the bridge tops with either very thin CA ( because it permeates best ) or "Epotek 301", because it is also very thin. Then I want to "neaten up the notching". Reblitz says to notch at halfway across the pin line, but I notice that most of the notches here ( particularly in the high treble ) are near the back of the pin line. To confuse matters, I just tuned a Baldwin SF 10, and the notches were near the FRONT of the pin line! ( What's a neurotic-compulsive perfectionist to do ? ) As regards the CA idea: CA glue, when cured,and especially when soakred into wood, is murderously hard ( try sanding it ) !!! I suspect it would be the best choice to impregnate the wood of the cap, to resist compression, AND to transmit vibrations. It is not, though, the best to cling to the pin. What I am considering: paint clean, sanded tops & notches with ultra-thin CA, let soak in and dry. To keep it from filling up the bridge pun holes, I'll find something of the cxorrect diameter to "plunge" them with, before the stuff cures ( not that fast, really, when used in quantity ). Then I'll ream the holes with drill bits to proper diameter for new bridge pins ( what brand/ supplier should I use ? ) fine-sand everything again, nice and clean, DAG the top, and Put in the new bridge pins with epoxy. I woulkd really appreciate everyones' comments on this proposal, and any other pertinent advice you care to dispense. Spare me not!!!! Thump __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
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