Hi Andrew Comments interspersed below David, If a string is up (I've seen them on brand new pianos just out of the case) it doesn't take but a gentle push to put them down. Tapping or firmly pushing runs the risk of deforming the notch and introducing falseness. I inherited responsibility for an S&S D where someone did this to the point where the beating was obnoxious (savage string-seating I called it). I couldn't stop the beating until the notch was fixed (with ultra thick CA for now, it set up hard and without my notes I can't find it on the piano). Boy do I hear you on this one ! We have a 4 year old D out here that someone really subjected to the treatment. I took some pictures last year and posted them to the list. The poor thing has actually beautiful tone but there are many notes in the treble that are poorly defined. It will be difficult to get the owners to go along with a downstringing and bridge repair job. This is the instrument that has had the buzzing cross strut. Took me 3 years to finally get permission to supersede official party line on this (which was that the <<bell>> screw wasnt tight enough) and fix it. Someone tho has really buried those strings deep. You can see the wood spreading out and around the sides... like theyve been mushed in. Tragic. Now I do take a notched brass dowel and gently push strings down while tightening their curve off of the bridge pin. This can help with stability and tone. The maple bridge capping is vulnerable to damage especially when the strings have a small diameter and that is where we run into more problems with "falseness." I'm even more cautious myself. I use a hammer shank and my dinky round nose pliers to tap it. Shank on the string behind the bridge pin over the bridge surface. I never go out onto the speaking length and I dont try any bends around the pin. Seems to me any such bend is bound to be moved the first time you tune... and then what ? After the previous round on this discussion (last year I think) I've been on the outlook for strings with a measurable gap above the bridge. I still haven't found any except on some cheaper pianos just coming out of the box. I think Ric's article in the journal does cover this issue rather well. Me too. For the most part I dont find the symptom. And the only times it does pop up is because of some over eager tech like the one who got loose on the D I mentioned above. I never see this happen naturally.. but I find unseated strings quite frequently. If there is any absolute truth in this world... its that there are no absolute truths (with this one exception). I think the bottom line is that moderation and a bit of thought given to the issue is what is needed. YMMV, Andrew Anderson Cheers, and I'm glad you found the article useful RicB
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