> Whatever the sound environment and its challenges, there has been a > tougher one somewhere in the past. So, starting to relate to the present > customer some long ago Ironman tuning situation often draws humorous and > "point taken" attention to whatever the present one is. And, they > usually get the hint. Failing that, it sometimes helps to just start > talking about what the tuner is listening FOR as he/she works. Last > resort is to stick head deep into the innards of the piano and look > pained, all the while mouthing a silent conversation to the customer. > > 'Nuf heard. But, I really enjoyed your comemnts, Ron!!!! Thanks, now a practical comment. I've noticed that the definition of "conversation pit" is anywhere a piano is being tuned. The louder you tune, the louder they talk. The best defense I've come up with for conversational competition is this. Tune louder, and LOUDER, and *LOUDER*, then stop. All conversation ceases as the silence whacks them in the foreheads. They look your direction en mass. "Are we bothering you?", one of them asks. "Yes Ma'am", you reply. They apologize and leave. You thank them nicely and go back to work. Fend off further apologies with pleasantries when the invoice is presented, and the groundwork is in place for next time. Vacuuming, excessive clanking of dishes, wrecking out walls, and the like, take a straightforward request to knock it the heck off so I can hear to do my job. People are usually pretty accommodating, and just have no idea a tuner might actually need to hear the piano to tune it. It's like when you have a kid hold the flashlight while you work on something in the dark. He'll always shine it right in your eyes. Ron N
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