I think Jason was asking about tensions as the scale progresses from plain wire tricords to wound bicords and then to the wound monocords. If I can rephrase his question: Do you shoot for equal tension in all plain/wound-bicord/wound-monocord notes, or equal tension on each individual string? I.e. if a plain tricord has 160 lbs. of tension on each string, there will be a total of 480 lbs. tension for that note. If you consider then a wound bicord note, would you design each string of the note to have 160 lbs. for a total of 320 lbs. tension on that note, or would you shoot for a total of 480 lbs. tension on that wound bicord note where each of the two strings would have 240 lbs. of tension each? Jason, whack my across my knuckles if I am out in left field! Terry Farrell ----- Original Message ----- > Although there are exceptions, it is a reasonable assumption that all > strings of a unison were designed to have the same tension. I personally > disagree with the arguments of the few that intentionally vary the tension > within a unison. For purposes of setting up a spreadsheet and graphing > the > results, I treat all strings of a single bichord or trichord unison as > being identical, with respect to the speaking length. SNIP > Frank Emerson > pianoguru at earthlink.net > > >> [Original Message] >> From: Jason Kanter <jkanter at rollingball.com> >> Frank - do you shoot for equal tension per string, or equal tension per >> unison?
This PTG archive page provided courtesy of Moy Piano Service, LLC