I'm not sure I agree Terry. In your last post to Andrew you state
"When we "detune" a front or backscale, don't we specifically try to
avoid a fractional length of that note's speaking length to quiet
the front and/or backscales?"
which implies it DOES make a "whit" if the back duplex is tuned to a
specific relationship to the speaking length. Once accepted that
certain relationships to the speaking result cause clear and predictable
acoustic results... you are immediately into a judgement call as to
whether the results are desirable or not.
Strikes me that manufacturers are all out to make things as cost
effective as possible... if the whole basic back duplex idea was totally
ridiculous to begin with... no amount of marketing can account for the
fact that so many manufacturers are wasting so much time, money and
resources putting them in. Another thing... when I stop to think about
it.... I dont see any data supporting the idea that the basic Steinway
back scale idea doesnt work. I just hear a lot of claims. Today I used
a bit of ekstra time tuning the top 6 notes on a C I service. I tuned
the back lengths to exactly the same frequency as the speaking
lengths.... I got a very clear and definite improvement in sound. Much
cleaner, increased sustain and volume. At least thats what my ears told
me, and it seemed pretty darned obvious.
Cheers
RicB
Indeed.
Terry Farrell
----- Original Message -----
>> /"On any given string, the duplex segment will not match the
pitch of the
>> speaking segment of the sting. (It cannot because these two
segments are
>> different lengths)."/
>> Since when? I mean, assuming the duplex segment was somewhere
close to
>> being "tuned".
>> Terry Farrell
>
>
> If any rear duplex segment lengths match their speaking lengths,
it's only
> going to be in the top octave. Lower down, the speaking segments
get too
> long. And for that matter, why should it matter a whit if the
rear duplex
> is any direct relationship to it's speaking length? It'll be just as
> "tuned" if it's pitch matches something somewhere up or down scale.
> Ron N
>
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