thanks, Frank - I can picture it very clearly now. Allen On 9 Feb 2007, at 13:43, Frank Emerson wrote: > >So if I'm understanding this correctly, the top half of the > pattern, or cope, would have had to have been refashioned (or at > least the part in >the triangle) once they had discovered the error? > > Not exactly. The pattern, from which the cope and drag are made > must be modified. The cope and drag constitute a one-time > temporary mold to make one casting. The shrinking of the plate as > it cools pretty much wastes it for any further use. After the > casting has cooled enough to be removed, the cope and drag are > nothing more than a pile of black sand, and the wood and wire > framework to start over again making a new cope and drag from the > pattern for the next casting. > > There are more efficient methods for high volume production > situations, but this is the basic sand casting method. The much- > touted vacuum-form process is nothing more than lining the cope and > drag with a thin plastic film, which vaporizes as soon as the > molten iron contacts it, but it provides enough of a barrier > between the iron and sand to produce a smoother surface that will > require less filler to make the finished plate surface smooth. > > Frank Emerson > pianoguru at earthlink.net Allen Wright 6 Clay Court, 219 Long Lane London SE1 4PB United Kingdom 020 7378 8265 0780-688-1325 (mobile) -------------- next part -------------- An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/20070209/1dc3ba35/attachment.html
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