John asked: What do you guys do? Do you not worry about where the temperature is? If you think it will be different at performance time, do you set the pitch accordingly, and hope it changes in your favor? Or do you simply tune it to A440 and don't worry about it? What we did was: Measure, measure, measure. Get to know the piano. Do more tunings than it needs in the beginning until you know that piano. Get to know it's conditions. Get to know the people who have some control over it---become their friend! (It may be the janitor.) Work out a plan together with those who control the piano's conditions (it has to be a plan that works for both of you) , and a contingency plan for when that still doesn't work, for whatever reason. My partner and I tuned a Baldwin SD-10 for almost 20 years. Did graphs of the tuning before each tuning. Measured temp & RH before every tuning. Measured the same at concert time. Adjusted procedures until we knew what made it stable. Piano had three 25 watt DC rods, a dehumidifier tank and a cover, but the conditions in the "auditorium" were almost like it was outdoors. The only ways to have that piano at A=440 at concert time, were either to tune it at concert time the night before and have them keep the heat on all night (usually they don't), or to tune it in the afternoon, after the auditorium warmed up and tune it 4cents flat! Good luck with your concert venue! Diane
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