With Verituner you are to pull A4 up to pitch and measure its inharmonicity and then pull A3 up to pitch and measure its inharmonicity. After that where you tune is up to you. I like to tune down from A4 to the bottom then up from A4 to the top. Makes sense to me as Verituner does partial matching and you don't know what nonsense you will discover at the big break if you come from under it. I always have Verituner recalculate before doing a second pass as accounting for some of the breaks (scaling breaks aren't just between bridges) will result in a change in note placement, a change that I am more likely to agree with. Andrew Anderson
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