Ric and all the others who worry about the acoustic piano going away:
One of the things that we hear in an acoustic piano is the resonance of
the other strings on the piano when a chord (or single note) are being
played and the pedal is lifted. Lots of other sounds enter the picture.
The CPU cycles needed to duplicate these effects and the programming to
calculate them when the sustain pedal is in use are tremendous. I
discussed this with the head of our Electronic Music department and he
didn't think this would happen in his lifetime (and he's much younger
than I).
I think digital instruments will become a bigger and bigger part of the
music market but I don't think I'm young enough to live until solo piano
recitals are played on a digital keyboard.
dp
David M. Porritt
dporritt at smu.edu
-----Original Message-----
From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On
Behalf Of RicB
Sent: Saturday, January 13, 2007 12:26 PM
To: pianotech at ptg.org
Subject: electronics replacing pianos
All of which only goes to underline one of the main points I see in all
this. The replica does not really need to ever fully reproduce the
sound of the acoustic to be able to take over. It only needs to become
good enough so that the benefits outweigh the drawbacks enough the the
buying public... which as Stephane so eloquently points out are already
so very willing to accept a vulgarization of the instrument, are seduced
into buying the replica instead of the acoustic.
Its a sad development in so many ways to be sure. Just today I was
sitting most of the day with Edward Griegs old B having technical
responsibilities for a recording session with Simax, and English
recording studio. These thoughts this discussion deals with went
through my mind several times this morning during the initial tuning,
and I thought to myself.... my my my... when THIS so intimate
connection between human and acoustic instruments disappears, what a sad
day that will be... if it be.
Ok... so I am afeared and and many others are far more optimistic. But
in the end.... well... who was it that said there is no magic in our
work, no soul to a piano ?
If they ever do manage to fully imitate the acoustic world (and I rather
believe sooner or later they will)... they do indeed have a major task
in front of them.
Cheers
RicB
I confess, I have no idea what a clavinova costs. The point is the
same. My guess is that a lot of consumers would pay more for
technology. Schools know the costs, they have done it for years.
The 30 year old piano is sitting there and the school is on their
4th keyboard in 15 years. They spent a lot on replacement to save
tuning costs. People buy it because they want it. The schools
mission statement mentions the teaching of technology, some
pricipals have asked music teachers to use their keyboards as part
of the technology education. We buy stuff everyday that has no
value the next and know that we have to upgrade. The larger point
of the Yamaha ad is that I was astonished that they really left no
room for the acoustic piano.
Phil Mosley
A complete new Yamaha grand action plus fancy keyboard for $2K?
Seems hard to imagine..
Farrell
This PTG archive page provided courtesy of Moy Piano Service, LLC