I tune with a Sanderson Accu Tuner, but check intervals octaves aurally. I do unisons by ear. Seems to work !! Given the lee way according to PTG rules of +- cents. I think we are good. >From: Concert Piano Service <concertpianoservice at planet.nl> >Reply-To: Pianotech List <pianotech at ptg.org> >To: Pianotech List <pianotech at ptg.org> >Subject: aural versus ETD >Date: Mon, 22 Jan 2007 20:27:21 +0100 > > >On 22-jan-2007, at 18:21, David Andersen wrote: > >>I guess the question I have for all you ETD users is this, and I would >>deeply appreciate honesty here: where is your attention when you tune a >>piano? Do you listen in a focused, calm, attentive, relaxed way, giving >>your self to the world of sound? Or are you "on automatic," and free to >>roam through your thoughts, dreams, and schemes, putting the bulk of your >>attention on the stream of dialog in your head? I believe it's an >>important question, and I hope I get both honesty and collegiality in the >>replies, if any. >> >>Happy Monday, kids. I'm off to work...... >> >>David Andersen >> > > > >And again (this is an old conversation), and with my deepest respect I do >not agree. >I have tuned an incredible amount of piano's with them pinky ears, and >when I did my final concert grand tuning course at Yamaha, it was the >finest tuning I've ever done. >Why? because the skills were honed to the limit - the limit, but it took >me 2 hours to reach that limit, and I realized immediately that customers >do not want to pay for a 2 hour tuning. > >Soon afterwards (we're now talking about the year 2000), I found out that >the Verituner gives me exactly that very tuning, and, without any stress >or fatigue, and within 1 hour. The most difficult instruments suddenly >turned into 'a peace of cake'. >My best customers, and they are professionals, demand a tuning done with >the VT. >I tuned at the Concertgebouw in Amsterdam for about 2 years with the VT >and I swear that the instruments there have never sounded so in tune, >finally. > >Every now and then I tune aurally and, to my surprise, it is not a problem >at all. All those years of aural tuning pay off, and within 5 minutes I am >back to 'natural', and the tuning I make is definitely good enough, just >like before. > >So, what I am actually saying, is that it is possible to do both, but one >has to actually do it both ways. > >I am now getting slightly older and a little more dented, and I prefer >tuning with as little stress as possible. >That's what my ETD does for me. > >btw, an ETD is a great instrument for learning to tune rock steady because >one can SEE what happens after a major blow. >Then there is the matter of the unisons : I personally think it is more >important to make beautiful unisons then to make the most perfect tuning >in the world. > >and again, > >friendly greetings >from >André Oorebeek > >Antoni van leeuwenhoekweg 15 >1401 VW Bussum >the Netherlands > >tel : 0031 35 6975840 >tel : 0031 652388 008 > >where music is, >no harm can be > > _________________________________________________________________ Your Space. Your Friends. Your Stories. Share your world with Windows Live Spaces. http://discoverspaces.live.com/?loc=en-CA
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