As I have shown, this lower tension thing... which is really lower % of
breaking strength (which in itself turns out to be a rather dubious term
in practice) doesnt really account for the large differences /
uneveness in pitch change through out the scale. Tho no doubt it plays
what can be called a significant roll. I'm working on a combination of a
basic scaling spreadsheet and the deflection / tension changes
spreadsheet along with this last bit about pin angles and strings
climbing them (which I am glad to see finnally acknowledged) to show the
isolated effect of such changes on real scales. I think one will see a
suprising picture develop, and one that very much deviates from what we
observe. Which means that other quite significant forces (for not to
say dominant) are at work, which to some degree must counter act and to
some degree work in concert these weve been discussing.
I dont know of any data at all that supports the claim that scales
designed with more equal tension through the piano will tend to go out
of tune more evenly. Is this casual observation based or can you point
me to some specific study ?
Cheers
RicB
The lower the tension in a given string the greater the change in
pitch for
a given change in length. Since the lowest tension tends to be in
the low
tenor, that is where the largest change in pitch generally is. The bass
section is usually the highest string tension and therefore changes the
least. On many pianos the scale tensions also drop in the upper treble.
Scales that are designed with more equal tension through the piano
will tend
to go out of tune more evenly.
David Love
davidlovepianos at comcast.net
www.davidlovepianos.com
This PTG archive page provided courtesy of Moy Piano Service, LLC