I William.
And fine thoughts they are as well.. I didnt mean to convey that we
should accept anything. I just meant to point out that there are a lot
of claims out there that when it comes down to it we dont really have
even reasonable assurance are correct. A lot of observations and
educated thinking goes on... but even the best of that ofte times as not
proves in the end faulty. I just meant that its important to keep an
open and questioning mind.
As to compression ridges... I seem them in most pianos sooner or later.
Cracks too. The only way I know how to <<<guarantee>> the absence of
the first practically guarantees the other... sooner or later.
Cheers
RicB
I don't think that is the point, Ric. While cracked soundboards don't
necessarily present a performance issue, neither does a mismatched
or poorly
applied finish. Does that mean we should accept either one from
"the world
standard" in pianos? Just because it does not present a performance
issue
(in this case) does not mean that it is good workmanship, or is in any
conceivable way acceptable on a brand new $50, $60, $100K piano.
my thoughts,
William R. Monroe
SNIP
> Why yes, I suppose they do. And we hear from many holds that
cracks in
> soundboards do nothing to the performance of the soundboard per
se. We
> hear a lot of very specific claims from a lot of folks all over
the place
> put in very authoritive language. > Cheers
> RicB
>
>
> Steinway bluntly says in their technical reference manual for
> technicians that compression ridges are not a problem and are
a sign
> of a good
> board under ideal compression.
>
> I'll leave it at that as I don't want to catch the flames 8-)
>
> Andrew Anderson
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