Hi Tom I'm not sure Mozart't perfect pitch had any impact one way or the other on music history. I am relatively sure that his <<perfect pitch>> would be in significant disagreement with most peoples <<perfect pitch>> today. Interesting to note that ofte times American singers relate their <<perfect pitch>> to 440 where as Europeans relate theirs to 442... also interesting to note that recent studies show that this phenomenon evidently occurs far more often in countries with tonal languages like Vietnamese more then it does here in the west. In anycase, my point was simply that like with just about any concept, humans manage to confuse and confound the reality of the thing and come up with all kinds of mythical magics they declare without further ado as truths.... and it is these that get in the way. That Mosart... or any other composer may (or may not) have been aided in his musical creativity by his sense of pitch memory (whatever that was at the time) is really not the issue. Cheers RicB Yeah, like Mozart's perfect pitch really had a negative impact on music history... Tom Sivak Chicago Richard Brekne <ricb at pianostemmer.no> wrote: Sigh... IYWKMROOTM the whole perfect pitch syndrom is one of the biggest banes in the history of music..... :( Cheers RicB
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