Hi Tom
I'm not sure Mozart't perfect pitch had any impact one way or the other
on music history. I am relatively sure that his <<perfect pitch>> would
be in significant disagreement with most peoples <<perfect pitch>>
today. Interesting to note that ofte times American singers relate
their <<perfect pitch>> to 440 where as Europeans relate theirs to
442... also interesting to note that recent studies show that this
phenomenon evidently occurs far more often in countries with tonal
languages like Vietnamese more then it does here in the west.
In anycase, my point was simply that like with just about any concept,
humans manage to confuse and confound the reality of the thing and come
up with all kinds of mythical magics they declare without further ado as
truths.... and it is these that get in the way. That Mosart... or any
other composer may (or may not) have been aided in his musical
creativity by his sense of pitch memory (whatever that was at the time)
is really not the issue.
Cheers
RicB
Yeah, like Mozart's perfect pitch really had a negative impact on
music history...
Tom Sivak
Chicago
Richard Brekne <ricb at pianostemmer.no> wrote:
Sigh... IYWKMROOTM the whole perfect pitch syndrom is one of the
biggest banes in the history of music..... :(
Cheers
RicB
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