Hi Holly, The advantages of major thirds are: - easily heard partials that are unlikely to be confused with "the wrong set". - no fixed beat rate but rather a ratio--so the piano "dictates" what it needs rather than being "forced" into a "fit". - division of the octave early in the sequence so that errors do not compound. There are many others I'm sure--but I like baseball (three strikes and you are *out*). At 02:27 PM 9/5/2007 -0400, you wrote: >I've always been a little mystified by the debate of M3s *vs.* 4ths and >5ths. I thought the point of tuning a temperament via 4ths and 5ths was to >make it easier to get to the contiguous M3s as a finished product - ? >That's how I was taught, anyway, and I have recently transitioned from >an F3 to F4 temperament to F3-A4 starting on A4 instead of C4. Not much >changed in my process, I still make 4ths and 5ths my basis with the goal >being contiguous M3s. I regularly check my intervals (and octaves) with >several different tests, and my tunings take me anywhere from 45 minutes to >an hour and a half, depending on the piano and circumstance. But then >again, I still haven't bucked up to take my RPT exam, so what I'm >doing might suck ;) > >Cheers, >Holly Quigley >associate member > > No virus found in this incoming message. Checked by AVG Free Edition. >Version: 7.5.485 / Virus Database: 269.13.6/991 - Release Date: 9/5/2007 >2:55 PM Regards, Don Rose, B.Mus., A.M.U.S., A.MUS., R.P.T. Non calor sed umor est qui nobis incommodat mailto:pianotuna at yahoo.com http://us.geocities.com/drpt1948/ 3004 Grant Rd. REGINA, SK, S4S 5G7 306-539-0716 or 1-888-29t-uner
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