On Sep 20, 2007, at 7:47, Michael Magness wrote: > I've been using the 20db earplugs for quite a while now. They are > great for situations such as you described you were in yesterday and > they do protect the ears from a test blow. I find they actually > enhance what I NEED to hear, blocking some of the extraneous garbage > I've trained myself to ignore after 38 years of aural tuning. > Occasionaly I'll have a particularly quiet piano and I can pull them > out slightly so they are not quite as tight but still block the loud > stuff, making it easier to hear the quiet pianos. Just an alternative > thought. I have been using 15 dB musicians attenuators (earplugs) for years, and I will continue to use them. I would strongly recommend them to every technician for hearing protection. However, they are NOT an alternative to the Noise Canceling Tuning System. All ear plugs will decrease all the surrounding sound, the ambient noise and the piano, but the difference in sound level between the two remains the same. NoCATS isolates the piano sound from the ambient surrounding noise. It will suppress the noise while allowing you to "dial" in the sound level of the piano you are trying to hear. Case in point: I tune a concert grand in a high school gym. Apart from the very loud HVAC, there is an incredible echo in the room. Even with earplugs, I always had to stick my head literally inside the piano and bang hard to "beat" the reverb. At the end of every tuning, I was quite exhausted, mentally and physically. Now with the NoCATS, the ambient noise is taken away to a very large degree. I can sit more relaxed, do a better tuning, and when I am finished I am fresh enough to stick around a bit, play some and enjoy the instrument and my work, instead of dragging myself to the car. The applications of the Noise Canceling Tuning System are numerous: stage work, outdoor events, music schools (practice rooms), trade shows, halls, clubs/restaurants etc.. Heck, for the fun of it I used it at a quiet home to tune a Samick grand. By experimenting with microphone placement on the soundboard, I found I could reduce the obnoxious wooden hammer knock in the top octave by 75%. Probably for the first time in that piano's life, the top octave could be heard and tuned. Wow. Jurgen Goering Piano Forte Supply (250) 754-2440 info at pianofortesupply.com http://www.pianofortesupply.com -------------- next part -------------- A non-text attachment was scrubbed... Name: not available Type: text/enriched Size: 2599 bytes Desc: not available Url : https://www.moypiano.com/ptg/pianotech.php/attachments/20070920/7c67ee34/attachment.bin
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