Ron & All
I truly think this is the great variable.(see line underlined below). All
things being equal.
When I use the Multilam blocks capped with delignit, as you often do
Ron, I find I need at least a .264 for a no. 2 pin. I hate tight pins
It's Not only speed & cooling but wether the block is drilled on a
stationary drill press or an in the piano set up. I Recently drilled my first block
in the piano & IMHO there is a greater possibility for errors as I have
suggested in previous post because of the mobile- ness of the drill press & it's
tendency to move & vibrate a bit.
I did some experimental drilling by hand in the same block using a 2 step
method and truth be told the ones drilled by hand were a better fit than the
ones drilled by the Drill press set up on the piano.
Admittedly one attempt is not a conclusion. SO far the results are
still good and no. 2 pins 2 1/2 inch Beine pins turn nicely in both holes but I
will know more when the piano is strung sometime in the future. By the way
it's a Steinway hexagrip Maple Block.....magic wood.Hmm. Drilled at .257 at
about 1300 ish rpm's with air. Not a chiller.
BTW I haven't been able to get my chiller to work well without blowing
moisture even though it's run thru a filter. I Don't' get it. Suggestions
chiller heads?
Regards
Dale
A .272" bit seems large for a Delignit block. A .257" (F) bit is what I
> usually use
> in a drill press, I found that even a .261 (G) bit was too loose.
>
> Generally .010 smaller than the pin was for Falconwood blocks.
I used 0.268 (6.8mm), and got a real tight fit, where with
0.266 (17/64) I've twisted pins off. If the bit hasn't been
freehand sharpened, the difference is in the drilling method.
Ron N
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