> Well here is one engineering source that is definitely not the final > authority, but I do have a mechanical engineering degree, BSME, and I am a > PE (Professional Engineer license). I am not aware of any steel wire that > has the kind of elasticity you are talking about (if I understood what you > have been saying). All of it will take some permanent set after being put > under tension and released, and all of it will creep when placed under > tension. Now it does reach a place where the amount of creep exponentially > approaches zero as the tension is maintained (i.e., the elastic deformation > (slack) is removed). Combine this with the soundboard becoming settled and > all the bend areas of the wire being set and you have tuning stability. > >>> But then I'd be at a loss as to why low panel compression rib >> supported soundboards with laminated bridge caps stay in tune >> so much better than traditionally built panel supported boards >> with solid caps, using the same ever stretching wire. And no, >> that's not my wild hair notion either, but is reported by >> techs I've done belly work for. > > No reason to be at a loss: the wire has reached a point where creep is > negligible, and your boards are more stable than others. End result is > better tuning stability. This does not prove by any stretch (no pun > intended) that the initial creep did not happen. > > Dean Time frame? Amount of creep? A reference???? Ron N
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