Hi Jon
Nice work.
I have been doing something similar and a bit simpler) but along the same
lines. (I'm simple).
I've been making and selling tool called the Action Ratio gauge. Picture
shown below.
A 6 mm foot is mounted to the bottom of the weighted wooden block. The
chart on the back is used to instantly crunch the numbers you get when using
it.
How it works
Simply set the Action ratio gauge on the keys, which should be close to
level. Then using a metric depth gauge I measure the hammer rise above the
neighboring hammer. Take the distance & divide by 6 & voila.... a very close
action ratio.
IE if the hammer rises 34 mm higher than it's neighbor, divide that by 6
(the thickness of the foot)this equals a 5.67 ratio on the chart. Not bad. I
can work with this.
High numbers, say 6 & above, will always require a long 48 mm hammer
travel & a shallow dip.
I.E. Baldwin's.In this case I know I've got work to do
Something in the 5.5 ratio range will usually be a 46 mm hammer travel &
.390 dip. (Steinways/others)
Measuring the sharps is done in the same way & the ratio will always be
slightly different due to the key balance point & shorter leverage.
The beauty of this gauge is that a tech can easily & quickly assess action
problems in front of clients eyes in minutes & can inform them why the
action is heavy/ light etc & the appropriate remedy.
I use the ratio information to determine which action parts I will choose
when rebuilding.
The Action ratio can be can be modified to improve function in essentially
3 ways. Change the knuckle placement, move the capstan or ( These are the
most common fixes) the key balance point can be relocated if replacing the
keyset.
Any numbers close to a 7 to will require new keys to truly make the action
work. AMHIK.
High numbers equal short dip Long hammer travel. Low numbers the
opposite. High numbers (5.8 to 7 or more) require light hammers & lots of key lead
to balance the action.
Ok now the real beauty is this. Low numbers (5 to 5.6sih) can tolerate
more hammer weight & some lead can be unloaded from the key thereby reducing
inertia. All pianist love this
On another note the first thing I usually do is look at the leading. If
there are lots of lead. I already know the regulation & leading will be in a
place I wont' like
I'm not a number cruncher so I needed this to be easier for me.
Regards
Dale Erwin
John writes
Hello List,
I'm writing an article about regulating pianos when you don't have
specifications. I'll paste in the simple nuts and bolts of it below. I'd appreciate
your feedback. I know there are some setup caveats and pitfalls, and some
other considerations, but rather than lay all of them out, I thought I'd wait
and hear from you guys about what you see as strong points, weak points, yeah
buts, and any other considerations.
Dale Erwin--Piano Restorations
4721 Parker rd
Modesto, Ca. 95357
Shop 209-577-8397
Web site _http://www.Erwinspiano.com_ (http://www.erwinspiano.com/)
Restoration & Sales of
Steinway & Sons & other fine pianos.
" Soundboards by Design"
**************Biggest Grammy Award surprises of all time on AOL Music.
(http://music.aol.com/grammys/pictures/never-won-a-grammy?NCID=aolcmp003000000025
48)
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