Thanks JD
Your previous post prompted me to pick up my copy of McFerrin's book and
take another look at a couple spreadsheets I have for scaling. I see
none of these really mention a total diameter directly. I was tempted
to look closer at the density of the wrap... 0.89.... multiplying the
diameter of the wrap by this figure... but I suppose thats not really
related. There is no straight forward formula for calculating the end
diameter then ? It <<depend>> on how much tension is applied by the
string maker ?
As for my instrument... Hartwig says its a Hamburg O. But the scale
lengths match those of the L in the Service Manual. I'm double checking
lengths tomorrow. Grin... no good sending of bogus length to da string
maker.
Reading a bit of S&S history surrounding the Miniature tho... seems
quite possible that from its inception up until the O, M and L were
officially designated that several scales were tried. Seems like they
started by making a <<mini grand>>... reworking it for some years and
then settled on 3 different models.
More tomorrow.
Cheers
RicB
At 20:06 +0100 7/2/08, Richard Brekne wrote:
>I would be interested to know how you figure the real end
diameter
>for a given wire and a given wrap size.
The final minor diameter of the copper will be about 90% of the
original diameter if the proper tension is applied by the
string-maker. Beginners tend not to pull hard enough and the final
diameters they achieve in training, as well as evenness of diameter,
are a good guide to what they need to put right before they can be
productive.
I've checked my printed scales and can't find a Steinway L after all.
I don't think Hamburg ever made the L and we see very few of the
American models here. If yours is called "miniature" then it's
almost certainly an 'O'. You'll probably find some soundboard
compression by the apron of the bass bridge.
As to the bass scale(s) the same rules would apply.
JD
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