Terrys paragraph below comes about close to the truth as any post so far. The whole point of any bridge termination is twofold and both bits are just as important. First to define a precise termination for the string, and second to clamp the string as effectively as possible to the bridge. Side ways motion of the string on the bridge is of course just one of many potential bi-products of an inefficient clamp. In fact side ways motion would be a symptom of nearly no clamp at all. The termination as a whole has to be massy enough, but not overly so, and it has to be so in all directions the string vibrates at for all its frequencies, which is essentially all directions ... not just horizontal or vertical. The clamping mechanism as a whole is the termination, and not just the pin. It comprises a compound support for the string. False beats can occur under several specific conditions... some of which have been mentioned, and they can occur in other types of terminations such as agraffes and for that matter the Wapin. In the end tho... anything that causes a variance in the resistiveness of the termination over one or vibration planes at one or more frequencies. I suppose you could say that each single string is a composite of as many virtual strings as their are overtones and directions of vibration for these. Each of these virtual strings behaves with respect to the termination by the same set of rules. Which... in basic single string single frequency single direction simple case description is given by Weinreich (among others) Please see http://www.speech.kth.se/music/5_lectures/weinreic/mistuned.html Cheers RicB In other words, the front termination is self-clamping because of the large force of the string on the termination point created by the string tension and the large counterbearing angle. The bridge termination requires a manual clamp (offset bridge pins) of some type because of the small force of the string on the termination point (bridge) created by the string tension and the small counterbearing/backscale/downbearing angle. Terry Farrell
This PTG archive page provided courtesy of Moy Piano Service, LLC