Grin... I hear so many theories about how this that and the other thing is --- has to be --- it makes my head spin. Clearly one doesn't need to do a perfect fit or even have a glue joint that doesn't allow any horizontal creep of the sounboard in order to make good sound. To many folks have made fine sounding pianos approaching the task from other perspectives. That said... no one has even remotely come close to showing that doing a perfect fit job... doesn't have some beneficial (that is to say "usable" ) affect acoustically. To what degree the soundboard can be said to (or not to) function similar to an "engineering arch" is as far as I can see a question that has not been answered... in as much as "experts" from just about every corner of the world voice obvious disagreement on the issue. Even amongst bonified engineers. I know I sure as hell dont <<Know>> the answer to such questions. But I do know I've yet to see anything close to conclusive argumentation one way or the other. And yes... I have read the recent article on the subject in the journal. Cheers RicB I think the "perfect fit" theory is a product of the (the soundboard is an) "arched structure" theory. If the ribs on the soundboard function like an engineering arch, then you might have some reasoning to go for that "perfect fit". Although, even then, if your panel/rim glue joint is good, you still wouldn't need a perfect fit. But the soundboard is not an engineering arch, so the perfect fit won't do anything for you. Terry Farrell
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