Yes... and I get the sense a bit of this is being mixed up here with talk of whatever potential benefits there are to drying down the ribbed assembly just prior to installation in the case. Concerns about cracks appearing, be they compression spawned or just pulled apart because of too little drying are about how dry the the panel is just prior to ribbing. I cant see that has anything to do with whatever potential benefit there might be to keeping the thing dry while the ribs glue cures, or re-drying just before you glue the whole thing onto the rim. I am curious tho to what this bit with Steinway Hamburg is... they said it was <<crucial>> to getting their bridges right. As it happens I will have the chance soon to ask them again so I will see what I can pump from them. As for CC ridges in boards made in Europe. This is far from a Steinway / Grotrian phenomenon. I'd say the greater portion of European produced pianos display this kind of thing nearly in every case. Petrof, Schimmel, Steingræber, Seiler... I've personally talked with their design people and they say outright compression ridges are a sign of a well put together board. All of these and a good deal others also mention figures like 3.5 % EMC before gluing ribs. Udo Steingærber just told me in Helsinki in October this is necessary for the European climate... and he also told me they make as tight a fit as is humanly possible in gluing their assemblies into the case. I will be seeing him again before long as well... so I may get a chance to see them doing what they do first hand. Cheers RicB I should think the moisture content of the panel at rib glueup should be much more influential on the propensity of panel cracking rather than the moisture content of the soundboard at installation time. Terry Farrell
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