He Jude. I found Rons answer a bit vague... no disrespect intended. So I'll venture an answer if you dont mind. Forgive my density but... You are not dense my friend :) What is it about the 6-6.5%emc at rib glue-up that causes the panel to be supported, all else being equal in terms of rib crowning & rib dimensions, panel thickness etc.? It is the ribs themselves that support the whole thing. The panel is just what pumps the air around so we end up hearing the thing. The MC level is decided upon to meet whatever climate conditions one expects so that the panel does not come under more then very moderate levels of compression at any given time... simultaneously so it doesn't crack apart during dry periods Is it a question of internal friction, stress and/or compression? I dont know about internal friction in this context... but stress, both compression and tension are definitely a big consideration here. I've read notes from classes taught by Del and Ron N. and while I get the stiffer rib assembly, I don't get why the extra emc makes for a more stable soundboard? I'm not really sure it is more stable per se. There are some assumptions I've not seen proven as to the reactivity claims Ron just made. The wood in the panel will respond to climatic changes just as in any board. In that sense at least all boards are just as reactive. Over the long term tho... the RC&S board... will (if designed appropriately for the climate it winds up in) experience less compression set... and in that sense at least is less reactive. Please forgive me and refer me to the archives if I'm opening up a can of worms here! :) Its nothing we all haven't dug our grimy fingers in several times before... wheres the melted chocolate ?? Jude Reveley, RPT Absolute Piano Restoration, LLC Lowell, Massachusetts (978) 323-4545 Cheers RicB
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