I dont see that many Walters pianos around either. I do have a customer who has the 64 that was presented at the NAMM show two years ago and it is a really nice piano with beautifully balanced and clear tone (nice voicing job too :-)). The newer 185 that I had some experience with out in Indiana during production is also a very nice design but would have been better served by a softer hammer than the one they ended up using. Some of the problems with defining which pianos we like are that there are different tonal goals with makes and models and some pianos just can't be compared. Another problem is the regression to the mean. There are too few risk takers. I agree with whoever said that the best pianos are coming from the custom rebuilders or individual designers. Sadly, it seems that those whose priorities become production costs (understandably) simply have to make too many compromises. David Love davidlovepianos at comcast.net www.davidlovepianos.com -----Original Message----- From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of David's Email Sent: Saturday, September 20, 2008 7:46 PM To: Pianotech Subject: I'm having problems with my !intellect program's email so I have to copy to Outlook Express... I don't see Charles Walters much, but at Stanford they had a sale and a 6+ C Walters was available. I was under impressed with it. Maybe it is a quiet piano? I would really like to be impressed with Charles Walters but I see so few in California, Bay Area... David Ilvedson I'm somewhat surprised that, when discussing the new grand market, the name Charles Walter doesn't pop up more often. Smaller company, a bit more limited distribution, perhaps, and not the "Big Brand Name" image, but their 6' 4" grand is definitely on my short list of keepers. Dan Dannenfelser, Sacramento, CA
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