[pianotech] Aural vs. ETD

Gerald Groot tunerboy3 at comcast.net
Sat Apr 4 20:15:51 PDT 2009


What's to correct?  We find out what we do not know as we learn on our way
to bettering ourselves.  None of us can say we know it all.  

 

From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf
Of Dean May
Sent: Saturday, April 04, 2009 10:57 PM
To: pianotech at ptg.org
Subject: Re: [pianotech] Aural vs. ETD

 

>>We don't know, what we don't know until we know it. 

 

And we only know that until someone who knows more than us points out the
error in our thinking.

Dean

Dean May             cell 812.239.3359 

PianoRebuilders.com   812.235.5272 

Terre Haute IN  47802

  _____  

From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf
Of Gerald Groot
Sent: Saturday, April 04, 2009 8:47 PM
To: pianotech at ptg.org
Subject: Re: [pianotech] Aural vs. ETD

 

This second line is not great English but, it makes my point.  

 

We don't know, what we don't know until we know it.  We don't know what we
can't hear until we can hear it..  

 

While a machine has it's use in every form, it has to be backed with a good
ear and a certain amount of knowledge for proper use of the machine.  

 

In the case of an EDT, if we cannot hear properly, then we cannot detect if
the machine is not setting it correctly.  While it may be close, or it may
be very close, it may not always be as close as we think.  

 

More often than not with beginners, (I know, I remember from when I was a
beginner too) we think we can hear it but, we really can't and finally
realize this at some point in time.   

 

For fun, just to see what it would do,  a couple of different times on two
different Steinway D's, I tuned the entire piano, unisons and all strictly
with an EDT ONLY.  I did not use my ears at all which was hard to do..  This
included the highest and lowest of all strings.  I can't count the amount of
times it told me that it was dead on when in fact, it was not.  In some
cases, it was actually off by quit a lot.  "IT" was listening to something
other than what I was listening to.  Especially in the bass wound wires.  

 

For this reason alone, a good ear is necessary which is the primary reason
that PTG won't let us pass without being able to properly hear it.   

 

 

 

From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf
Of Alexander Lass
Sent: Saturday, April 04, 2009 8:21 PM
To: pianotech at ptg.org
Subject: Re: [pianotech] Aural vs. ETD

 

As a relatively new (and student) technician, my thoughts on this subject
may not merit as much attention as those with more experience who have
contributed.  Still, I think it's important to show that not all associates
see the aurally correct temperament requirement as a necessary "evil" to
becoming an RPT.  It may seem easy for those who have long since passed the
exam to belabor its benefits, but I am really very happy that the PTG
continues to uphold the tradition.  

 

I'm as tired as anyone of reading the comparisons of a piano technician to a
surgeon or car mechanic, but let's not forget they all have something in
common: each is a professional who provides a service to the community.
They market themselves as having enough knowledge, training, and experience
to perform certain tasks with certain fundamental and facile abilities that
the public can be reasonably well assured that the job will be done
correctly.   I know that before my doctor could diagnose a torn ACL, she was
probably able to name all the bones, muscles, tendons, and ligaments.
Before that, I suspect that she learned the concept of the scientific
method: these are fundamental to the study of medicine.  The car mechanic
can hook my car up to a machine that tells him the timing is off, and my
understanding is that today's computers will even tell him what parts need
to be adjusted to compensate for this.  When he's done making these
adjustments, though, I know he takes the car for a test drive to make sure
everything feels right and that the car can perform certain function as it
was designed.

 

If Pythagoras hadn't discovered that a bunch of fifths didn't quite equal up
to several octaves we might not have a job; pretty much anyone can tune a
bunch of pure intervals (though, admittedly, stability would still be a
challenge for most).  Maybe I'm way off, but I see setting a solid
temperament as about the most fundamental task a piano tuner can perform.
Understanding the interval relationships and how to listen and test for the
subtle differences is - in my opinion - the core of what we do.

 

There is a real misunderstanding in all of this debate, that the aural
temperament requirement of the PTG exam is in some way the organization's
public condemnation of the ETD.  I think that today's ETD's are fine
instruments; just like today's medical technology and car diagnostics are
wonderful tools.  But there is a lot to be said about having a solid
foundation in one's profession.   

 

That's all.  Thanks to any who read this.

 

Alex

Aspiring RPT

 

 

On Apr 4, 2009, at 8:55 AM, Duaine & Laura Hechler wrote:

 

Dave Foster wrote:

<snip>

But I disagree that a technician NEEDS to know how to tune aurally to be
considered a Piano Technician.  

AMEN, BROTHER

So people just aren't born with the natural ability to hear certain things.
That shouldn't detour them from being a well-respected great Piano
Technician.  

AMEN, BROTHER

<snip> 

That's my opinion. don't shoot the messenger.

 

Dave Foster

I'm going to AMEN the messenger to "infinity and beyond".

It's too bad that other list members - and - the PTG can't share your (and
my) feelings !

-- 
Duaine Hechler
Piano, Player Piano, Pump Organ
Tuning, Servicing & Rebuilding
Reed Organ Society Member
Florissant, MO 63034
(314) 838-5587
dahechler at att.net
www.hechlerpianoandorgan.com
--
Home & Business user of Linux - 10 years

 

 


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