[pianotech] To restore, or not to restore, there's the question

wimblees at aol.com wimblees at aol.com
Sat Apr 11 17:15:16 PDT 2009


Chuck

I can certainly appreciate the sentiment behind doing the work, but not to put a damper on this, did you consider the action centers, the key bushings, dampers, bridge pins, etc..
Did you take into account the possibility of breaking strings while repinnning? Are you sure the pin block doesn't have a crack in it, instead of just needing to be reamed? Did you discuss the to idea of taking that money and investing it in a new, or newer, piano in better condition, that would be able to be passed down to another generation?

Wim


Willem (Wim) Blees, RPT
Piano Tuner/Technician
Mililani, Oahu, HI
808-349-2943
Author of: 
The Business of Piano Tuning
available from Potter Press
www.pianotuning.com


-----Original Message-----
From: Chuck Behm <behmpiano at gmail.com>
To: pianotech at ptg.org
Sent: Sat, 11 Apr 2009 7:08 am
Subject: [pianotech] To restore, or not to restore, there's the question



Ok, concerning whether to restore or not to restore, here’s a case in point.  I just tuned a piano this morning, for lack of a more polite term, a crappy spinet (brand W, if you catch my drift). It will not hold a tuning, even after 3 separate applications of Loc-Tite over the last 4 years. It’s the dry, heated air during the Iowa winters that does it. The finish of the piano is shot – a sprayed on lacquer that been sun-damaged to the point where it’s peeling off. The keytops are cracking from side to side.  

          A
0 The customer, a lady whom is a bit older than me (although I’m smart enough not to ask for her specific age) inquired about what could be done. She’s got a tax refund coming and would like to put it towards fixing the piano like new.

            Understand, please, that this type of instrument is not my cup of tea. It has no style at all, with tapered dowel legs. The only thing at all good about it is the tone, which is surprisingly good for a spinet for a short time at least after it is tuned.

            She seemed earnest in her request to know, however, so I listed some of the obvious repairs we could do if the piano were brought to our shop. New, brushed on polyurethane finish. New keytops (she liked the satin, off-white sample). Ream with size 3 drill and repin with size 4 pins (since the tone is really good with the present strings, I would leave them alone). File the hammers, regulate and retune several times. I got out my estimate book and added the numbers. $3385. She was not at all taken aback at this.

            I asked her about the history of the piano. It was given to her, it seems, on the occasion of her 7th birthday, by her dad, who then a month later went off to fight in the Korean War and got shot. He came home in a box. She had tears in her eyes as she told me the story. I got the feeling that
 the passage of more than 50 years had not deadened the pain.

            Value of the piano? Commercially, as is, next to nothing. Pianos such as this are given away in our shopper all the time. With the work done, I don’t know, but I’m guessing not a lot. Maybe $500. $1000? It’s hard for me to say, since this is not the type of piano I would ever bring into my shop with the thought of reconditioning and reselling.

            So, so here’s the question. Do I fix it or not? It’s definitely not a piano I’m in love with. Do I tell my customer that I’m sorry but it’s not worth fixing, or do I use my talents to try and make her piano look and sound the way it did the day she came home from the 2nd grade and found it in her bedroom with a big red satin bow on it?

            Your call.              Chuck

 

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