At 15:34 -0500 23/4/09, Porritt, David wrote: >I generally don't twist bass strings. If I install one and it >sounds like it needs a twist I'll do it, that of course makes an >extra step but if I had very many that need twisting, I'd >contemplate a different string maker. I think well made bass >strings shouldn't need twisting. It's not as simple as that. It is true that with certain special exceptions, which I won't go into, a well made string will not buzz or sound bad if you don't twist it, but, as I've explained at least twice before on this list of very short memories, if you do not twist the string then you are putting on twisted strings, and twisted in the wrong direction at that. There may be one or two over-enthusiastic stringmakers in the world who pre-twist the steel core on the machine before winding, but it is a rather pointless exercise in a market that generally speaking has learned to twist covered strings on installation. When the steel core is hitched to the pin end of the machine, clamped in the chuck end and tensioned, it is, of course in equilibrium, not twisted. The copper is then wound on to the steel, and this copper is held under tension during its whole journey from the flattening at one end to the flattening at the other. It is therefore exerting a twisting force on the core wire. The wire cannot twist while it is clamped in the chuck, but as soon as the string is released from the machine, the copper will release as much of its stress as it can by twisting the core wire. The degree to which it will twist the core is dependent on the thickness of the core and the amount of stress in the copper. There are extreme cases (which I said I wouldn't go into!) where, even though the stringmaker has applied the proper maximum tension to the copper during winding, the thinness of the core combined with a heavy cover exerting a strong twisting force leads to too great a release of tension in the copper, accompanied by considerable twisting of the core, and the result is that the string will actually buzz if it is not twisted on installation. Several Blüthner models have such strings, but they are rare. There is a limit to the tension the stringmaker can give to the copper, because, in the case of thin copper the copper will break and in the case of thin cores and heavy covers, the eye or the chucked end will break. The stringmaker learns from experience the maximum proper pull for each combination. On the other hand the stringer is not so limited. What is simply not possible for the stringmaker can be added by the stringer not only to _restore_ but to _increase_ the tension of the copper winding. What _must_ be done is to _restore_ the stringmaker's tension by twisting the string say half a turn to undo the twist it got when it left the machine, and what is better is to increase the tension by twisting yet more. No matter what blessed stringmaker made the strings, the sound will improve by twisting them. To answer the original question, if the winding goes like this ////// you twist clockwise and if it goes like this \\\\\\ you twist anti-clockwise. JD -- Stringmaker -- ______________________________________________________________________ Delacour Pianos * Silo * Deverel Farm * Milborne St. Andrew Dorset DT11 0HX * England Phone: +44 1202 731031 Mobile: +44 7801 310 689 * Fax: +44 870 705 3241 ______________________________________________________________________
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